February 24, 2013
Grant Cutler debuted his Stardust Mass in March 2013. Its beauty comes from its pop-simplicity, a mix of introspective Bowie and Magnetic Fields. You can listen to the tracks below.
February 15, 2013
Since relocating from South Dakota to Minneapolis in 2001, Cutler has headlined the landmark venue First Avenue and performed at dozens of other local venues, including the Walker Art Center. As songwriter and frontman of bands Lookbook (City Pages’ Best New Band 2009) and Grant Cutler and the Gorgeous Lords (First Avenue’s Best New Bands 2010) he played multiple national tours, SXSW, and CMJ. Cutler composed the score for feature film Stuck Between Stations, an official selection of the Tribeca Film Festival (2011), and for modern dance piece He & Him/She & Her (2012). His nuanced production is heard in collaborations with Jeremy Messersmith and Dave King, and on Zoo Animal’s widely acclaimed release Departure (2012). In 2011 Innova released Cutler’s atmospheric 2012, an LP featuring analog recording and tape manipulation.
This year, the Minnesota State Arts Board commissioned from Cutler a three-part composition for vocals and electro-acoustic instrumentation, which will premier this winter at the Cedar Cultural Center. Other current ventures include a two-piece performance project with vocals by Aby Wolf, commercial compositions, and exploring audience-triggered generative sound and visuals.
January 31, 2013
Greg Schaefer’s Hamburg Mass debuted in February 2013. In his own words:
Dedicated to my father William H. Schaefer (1924-1991) born in Hamburg, MN. As the years have passed I have realized that he was the source of my creativity and love of music. Hamburg is memory in my past, but profoundly effects who I am today.
My father was a creative thinker who was both plain spoken and complex. So instead of solely relying on the standard liturgical lyrics as I have done in the past, with Hamburg I wrote my own. The lyrics are intentionally simple to foster contemplation, the melody’s are intentionally easy to enable participation, but the chords moving underneath have complexity.
The liturgy can be performed with instrumentation as simple as voice / guitar or any size ensemble.
December 30, 2012
In December 2012, Linnea Mohn debuted her liturgy, Incandescence Mass. Incandescence takes on the advent season through the contemplation of the coming of Christ and, oddly enough, science. Her song of praise, “Filament,” celebrates the “marvelous creation” of our bodies “made of nerves bundled threads from toe to head the length of galaxies.”
Listen to a recording of the mass below.
Linnea Mohn has been a part of many Mercy Liturgies in the past, but recently made her debut as a liturgist herself. Her vocals seem familiar, because you might have heard her singing with Rogue Valley, or A. Wolf and Her Claws, or Doomtree, or Coach Said Not To or one of the other 18 million bands she’s played with over the years.
In December 2012, she debuted her Incandescence Mass.
July 15, 2012
Dani & Angie make up the band The Chord & the Fawn. That is, they did until the band grew from dueling ukeleles to a 7 piece. The Chord & the Fawn made their name with the ukeleles featured on their record M-I-S-S-I-S-S-I-P-P-I and Dani and Angie return to those ukelele roots for the Songs of David Mass. Dani explains the emphasis on David as a desire to look backward and trace Christ’s roots.
June 27, 2012
In July, Mercy Seat will be debuting a brand new liturgy from brand new liturgists. We are proud to be working with the local band The Chord and the Fawn to bring The Songs of David liturgy to life. The Chord and the Fawn became a local hit with their ukelele branded pop music, but since their debut record “M-I-S-S-I-S-S-I-P-P-I” they have morphed into a 7 piece extravaganza. They will be leading this liturgy throughout the month of July and it will be brilliant, pop-y, and beautiful.
Listen to a live recording!
January 18, 2012
Greg Schaefer composed the Thanksgiving Liturgy on banjo the Saturday after the 2011 Thanksgiving holiday. The title is in reference to the holiday but not confined to it, because every day of life can be Thanksgiving. By it’s nature the banjo gives the songs a rootsy feel, but the intention was the punk rock rock style of short concise simple songs.
I’m thrilled to have assembled an all star ensemble for the liturgy’s debut:
Dana Thompson (Minor Planets) – vocals / guitar
Drew Miller (Boiled in Lead, Felonious Bosch) – bass
Grant Johnson (Bitter Spills) – guitar
Greg Schaefer (GST) – banjo
October 28, 2011
Scott debuted this mass in October 2011. In his own words:
The Middle America Mass was composed during a season of recovery from an overseas automobile accident that left me unable to play music or work for a number of months. Mercy Seat kept me afloat during that season, providing for me physically, financially, spiritually, and emotionally. As I returned to playing music again I wrote this mass for Mercy Seat. The music calls out quietly from the place that we call home – a spare, honest sound in a large, open space.
Listen to recordings of the liturgy below:
June 16, 2011
The City Pages said it best:
Newsom’s voice is the hook. Hazy and laced with vintage twang, it almost whispers at the end of some phrases, while contrarily resonating with power and conviction at others. She may be only 23, but there’s an old soul residing beneath that ribcage.
As the front of the Twin Cities minimalist rock band, Zoo Animal, Newsom has received quite a lot of attention in the last few years. Her presence on stage is enthralling, her voice carries shock, and her song-writing is mesmeric. Holly brings her liturgy Resonance to Mercy Seat in July 2011.
In July 2011 Holly Newsom (of Zoo Animal) will debut the meditative and minimal liturgy called Resonance. As Holly describes it,
I’ve really been learning sometimes you have to position yourself so that you resonate with the truth. At first it may not feel natural, but once you allow yourself to relax, your being becomes in sync with the spirit and you find yourself able to move freely in the truth and it doesn’t feel binding. I used very minimal, repetitive notions musically in this liturgy to give the mind room to concentrate on it’s own being and how it is relating to Christ. It is meant to allow the partaker to meditate on the words and how real they are.
Listen to live recordings of the debut:
June 8, 2011
Vox Humana Mass was envisioned as an occasional liturgy by Wes Burdine that would try to incorporate more members of the church community in creating the music for the liturgies. It is an a capella composition with roots in blues (a la Nina Simone), Eastern Orthodox liturgical singing, and traditional ballads.
September 1, 2010
The Reunion Day Mass came from a long-standing desire to pay homage to musicians such as Sam Cooke and Otis Redding. It was an attempt to change up the alt-country moods of some of our liturgies and inject some new melodies into our theological bloodstream at Mercy Seat. Thematically, it takes up the promise of deliverance, especially in the Song of Praise, “All My Friends are Comin’ Back to Jesus” and the cross-lament of the Sanctus, “I Cry, ‘Holy!’. It also includes the song “Reunion Day” that encloses the service parenthetically, promising, “It won’t be long ’til that fine reunion day.” The band is composed of liturgy regulars, Scott Munson and Jayanthi Kyle (of Black Audience), plus Mike Berger (of Cincinnati punk outfits toolshed and The Bushrocks) and Kim Larson.
Take a listen to some live recordings from the debut of the Reunion Day Mass.
March 30, 2010
Thanks to Mercy Seat’s uncommon kindness and belief in cultivating new art, Scott received his first composing commission before anyone had heard his music. His first liturgical mass, The Good News Bad News Mass, debuted in the spring of 2008. Since that time, Scott has gone on to perform as a weekly solo jazz pianist in Northeast Minneapolis and to compose a second mass for Mercy Seat, The Sacraments Mass, in summer 2009.
In addition to freelance music production and music instruction, Scott began composing for film in early 2010. Endlessly writing and picking up new instruments, Scott continues work on his own material for eventual recording and live performance.
Preview Scott’s Sacraments Mass
or his Good News Bad News Mass
March 29, 2010
With the Good News Bad News Mass I sought to incorporate the passion of the Negro spirituals that I love into the sonic context of a western high-church setting, with its enormous acoustic space, refined grand piano, and explosive church organ. The resulting songs have a bit of ache and a bit of old time gospel to them.
March 12, 2010
Chris Koza is a Minneapolis, Minnesota-based singer/songwriter, and has released three albums since 2004 — “Exit Pesce,” “Patterns,” and “A Friend of a Friend” (EP). Music critics have compared Chris’ sound to Wilco, Paul Simon, Nick Drake, Beck, and Ryan Adams, among others. He performs live with a band, which includes anywhere from 2-7 members.
Deep into autumn of 2004 Chris released his debut album “Exit Pesce” in an apartment. But it wasn’t until early the following year when a little blurb by Rob van Alstyne of the Pulse Magazine was printed before anyone really took notice of the album, calling Exit Pesce “An under-the-radar-music-stunner-phenomenon”
In April 2006, Chris released “Patterns,” which went on to receive more acclaim, including a Minnesota Music Award for Best Pop Recording (Chris also won the Best Male Vocalist award).
At the end of 2006, Patterns was kindly included in some local best-of lists, coming in at 10 in the Star Tribune’s annual Twin Cities Critics Tally, and at 1 in Chris Riemenschneider’s (Star Tribune Music Critic) top ten local albums list.
In April of 2010, he started his next adventure: transforming the Chris Koza band into Rogue Valley. This magical transformation occurred on the stage of the Historic Fitzgerald Theater.
Listen to an audio preview/interview with Chris:
And now you can hear live recordings of Song of the Earth Mass:
In May 2010, Chris Koza is debuting his Song of the Earth Mass. As Minnesota Monthly described it (in a much appreciated shout-out): “Every Sunday in May, Koza will take over Mercy Seat Lutheran in Northeast Minneapolis as the church’s latest composer-in-residence, reworking the Lutheran liturgy into a folk/pop arrangement he’s calling the “Song of the Earth Mass,” promising ‘occasionally mysterious chord progressions and ever-present vocal harmonies.’” For a preview and an interview with Chris, listen below.
To hear a live recording of Song of the Earth Mass:
Hermanson is a member of the nationally-acclaimed acoustic duo, Storyhill, that sold over 70,000 records independently before releasing a record with celebrated folk label, Red House Records in 2007.
An award-winning producer, John is the creative center of the art rock group, Alva Star, that has had numerous songs featured on MTV, HBO and ABC. Hermanson is also co-songwriter and member of Minneapolis super group, The Hopefuls. His alter ego, John August, has sold over 850,000 CDs in the popular Lifescapes kiosk in Target stores with titles ranging from instrumental guitar to lush strings, electronica to world music.
Listen to an interview with John Hermanson:
Check out some demos of the Is This the Feast of Victory?:
March 10, 2010
Greg has been involved with music his entire life, but never professionally. He played trumpet through high school, guitar in punk bands during the 80′s, and currently lead the jazz quartet GST. His most exciting project is whatever he’s currently working on. When not playing music, he’s a software engineer and lives in Golden Valley with his wonderful family, feeling blessed every day.
Named after my departed Mother who was and is my spiritual mentor.
It was written over a 2 week period in late 2008. I am not a lyricist, so all words are from the traditional liturgy. As a composer I speak in melody and the Agnes liturgy is my voice. Performing it brings me joy and I hope it has a similar effect on the congregation. Agnes can be performed by a single musician or an ensemble.
The Agnes Liturgy is performed with a roving list of musicians that may or may not include: acclaimed jazz vocalist Nancy Harms, Dana Thompson (of Hothead Fiasco and Minor Planets), Hal Longley (of Century Brass and Chooglin’), Bob DeBoer (GST and Chooglin’), Tony Watercott (GST), and Joe Cline (GST).
The Sacraments Mass is a site-specific mass fully scored for six musicians. Instrumentation includes a marching bass drum, violin, effected guitars, designed sounds, church organ, and grand piano. With its enveloping layers of sound this second mass embraces the difficult mysteries of faith and aspires to the sacred in liturgy.
Minnesotan via Belfast, Ben Kyle (whether he likes it or not) is a fixture of the Twin Cities music scene. With his band Romantica, he’s shared the stage with Ryan Adams (including a haunting duet of a Romantica song) and toured the country. Their two records, It’s Your Weakness That I Want and America have been critically acclaimed by the likes of Village Voice and the Minneapolis Star Tribune. Ben’s Massa liturgy takes his alt-country roots and mines them for an immigrants walk through the traditional Lutheran liturgy.
Wes and Mercy Seat go way back. A native Pennsylvanian, Wes was writing liturgies for Mercy Seat even when he had to travel out on weekends to play them at church. Thankfully now he lives in Northeast Minneapolis and works as Mercy Seat’s Liturgical Coordinator. In 2004, he released the album “This is How I Discovered Gold,” which was a lo-fi jaunt through alt-country and rock ‘n’ roll that David de Young of howwastheshow.com called full of “well-crafted, thought-provoking songs.” He followed this up by forming a band (Wes Burdine & the Librarians) and releasing the pop music fueled “Jose Canseco EP.” Rob van Alstyne of The Pulse called it, “It’s the sunny pop music day that follows This Is How I Discovered Gold’s long and tormented night.”
Now, Wes is a PhD student at the University of Minnesota and continues to write liturgies for Mercy Seat as well as playing with the Twin Cities rock outfit, The Small Cities. He also released the best children’s album of all time, recorded for his niece Katie for Christmas of 2009, called Unicorn Rock! (follow the link to download it for free).
For more of his music, you can go to his website.
I wrote the Brandywine Mass in the Summer of 2009 as a liturgy for lost friends, family, and lovers. The name comes from the river running through Eastern Pennsylvania where I lived for some time and where one can find the Brandywine Art Museum, where one can find some of my favorite art by my favorite artist, Andrew Wyeth. The liturgy opens with an Introit that invokes our lost loves and asks, “Will we see our sisters there? Our brothers there? Our lovers there?” The rest of the liturgy follows this mood and sets the stage for a service asking for mercy and imagining a resurrection with choirs singing, “Hallelujah.” This liturgy is performed with Linnea Mohn of Rogue Valley and The Alpha Centauri.
You can listen to some live recordings of the Brandywine Mass below.
March 4, 2010
One of Mercy Seat’s first adventures into pop liturgies, Massa is an alt-country take on the Lutheran Mass. Taken right out of Ben Kyle’s playbook, it combines a soaring pedal steel, soulful harmonies, and fantastic melodies. This liturgy is performed by James Orvis and “Lucky” Luke Jacobs of Romantica, Jimmy Osterholt of The Small Cities, Jayanthi Kyle of Black Audience, and Marty Martinson of the Martinson Family Singers.
Debuted during Lent of 2007, Mass for the End of the World is pop music for the resurrection. It was written to transition from the mediation on morbidity of the Lenten season to the celebration of Christ’s resurrection. It opens with the Biblical paraphrase in the Antiphon: “Oh Lord reveal my end so I may measure out my days and pull my string taut so I see how fragile it may be” and closes with the 60s inspired: “Gimme the End of the World.” In writing the liturgy, I wanted to celebrate the idea of apocalypse and the end of the world as a daily invocation of the resurrection and rebirth. The liturgy is typically performed by Jimmy Osterholt, David Osborn, and Leif Bjornson of The Small Cities, Linnea Mohn of Rogue Valley and The Alpha Centauri, and Charissa Osborn, formerly of Wes Burdine & the Librarians.